Archive for the 'Uncategorized' Category

16
Jan
18

Lament – message for Jim Fish

Screen Shot 2018-01-16 at 9.04.42 AM

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10
Jan
18

Instructional Design: Science, Art and Craft

saving this for future reference

art_craft_science

Performance X Design

I’ve been reading some Henry Mintzberg recently.  His books–Managing and Managers Not MBA’s–both question prevailing thinking on management and leadership and present alternatives for effective management practice and development.  Both books include a model of management as a balancing act between science, art and craft. His argument is that effective management requires all three and an overemphasis on any one results in dysfunction.

I think it also offers some insight to effective Instructional Design.  Much of the recent debate regarding Instructional Design models and practice (see my own view here) seem to revolve around the prescriptive, process based models of ADDIE (and like models) versus  more open constructivist approaches, presumably more relevant for our networked and collaborative work environments.   The arguments tend to get unnecessarily polarized.  The following table is adapted from a similar one Mintzberg created for defined management styles.  I believe it works equally well…

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20
Jun
17

Entries to NM Potters & Clay Artists Show

 

2017 Celebration of Clay: Light and Shadow

at the Galería Arriba at the Abiquiu Inn

July 1, 2017 – August 25, 2017

Opening Reception, Saturday, July 1, 2017, 4-6 pm

Second Reception, Friday, August 4, 2017, 4-6 pm

IMG_0284

Cirrelda Snider-Bryan #1 Title: “Untitled” Size: 8 x 6.5 inches

Price: $140 Light and Shadow: Thumb prints joining slab swatches catch light and create shadow.

 

IMG_0323

Cirrelda Snider-Bryan #2 Title: “Morning Glory” Size: 5.75 x 5.75 inches

Price: $75 Light and Shadow: Textured tile catches light, shows shadow of this morning-blooming flower. © 2017 by Cirrelda Snider-Bryan

 

Statement: Cone 5-fired Ochre clay and Duncan underglaze. Texture, slab, press-tiles, leftover pieces from tile-making, drawing, commercial glazes, oxides, illustration – these elements form backbone of my process with clay, continuous since my first clay class at Philbrook Art Center in Tulsa at age 10. Documenting everyday relationships continues to inform my process – whether in the yard, on the road, on the horizon.

 

 

26
Nov
16

The Long Road East

familyditch©2016ccsniderbryan

The
Long
Road
East

The Ditch Road That Swings Back Toward the Sandias
And That Inspires Many A Thought About Caring For My Roots

___
poems in honor of
my parents
and in honor of my journey without them

©1993 Cirrelda Claire Snider-Bryan

___
sky bright
autumn day

high leaves
mark the way

I walk
on the road

prayer ode
from my home

steps rhyme
with this song

think time
and right now

___

Morning Walk on Ditch

I had been following this unknown configuration in the sand. It was a wide little swath – with knicks evenly spaced on both sides. Was it a snake ? was my first question.
The track came out into the middle of the road and doubled back.
It was a very intricate track.

I kept on walking. (Plodding a better word cause I was still sleepy and lost in thought.)
But had the thought – “There’s a story in that -. Was there a fight? Why did the intricate track double back?

So, I turn around … find it again … follow it …
Does it stop at that paw print – ?
No, it continues on down the
hill
to
where
I see
a crawdad!

Who notices me, too, & stops.
Then starts up again.
Slowly, intricately, pulling that
body, that armor, along.
Gently texturing that sand
like a wonderful border on a clay pot.

Heading for the weeds –
(the protection for the day or to begin hibernation?)

I turn around to continue my walk.

There back in the middle of the road is another guy – but his legs are up in the air.
He’s helpless, legs trying to grasp something to turn him over.
My shoe tries to do that – and I do get him over. But he’s extremely muddy, caked with sandy mud.

& instantly he begins

to go in circles,

around & around & around.

I wonder, What’s wrong? Maybe he can’t see because he’s all covered up with wet sand.

Well, the minutes tick on and it is a work day. I continue my plod. Leaving him, (hoping he’ll find
his way off the road) other thoughts come into my mind after I wonder at the slowness of their flight.
Kinda dangerous.
They’re well-suited for their slowness, I guess, in that heavy armour.

After my double-back, on my way home to get ready for work, I come upon the place in the road again.
The “caked” one is STILL there … his track all jumbled … he’s still been going around and around.

I stand there wondering. ? Should I throw him back in the ditch, let him get washed off, then he’ll come
back out on his own to continue his journey?

Do I wipe it off with my hand ?

Or would I be interfering ? Or will that mud stay on all day?

Will I, won’t I?

OK – grab some dry loose grass – make a brush in my hand – start to brush it off. It comes off easily.
THERE are his eyes ! – little black glassy balls.
He protests, just like my young niece when she’s getting the tangles combed out of her hair.

OK!
I can go.
I’m on my way.
Maybe he’ll not ger run over now.
“You’d better get off this road!” I say out loud to this boy (or girl) crawdad.

Walking on … other thoughts on my mind.
Me walking on my walk … my weekly double-backs.

Later I hear the sound of a vehicle coming from behind. Coming up close.
Panic. Is he off the road yet ?
Panic and help in the palms of my feet stretch, race ! back along the road toward him.
“Get off!” Those feet push him off.

Do we get helped along, too ?
Spirits unknown to us – once in a blue moon deciding to stoop down and brush us off ?
Someone once said to me that it could be our lives are like water striders on the ditch surface.
We’re not really aware of that whole other reality going on above us on the bank. Just only every once in a while we get this glimmer of a movement that doesn’t seem normal. And many times we just dismiss it as nothing. Yes there is that whole other big beautiful world going on, with being stopping to admire us or eat us. And to us it may just seem like a gray cloud, a chill wind, or an uncomfortable feeling of being shaken up., that amazingly leaves you feeling clearer. For some reason.

04
Jan
14

Vistazo al Sur

Vistazo al Sur

This got installed!
Sunday the 22nd of December 2013

Still to come – grouting.

[see September 2012 post for beginnings of this tile piece]

30
Aug
13

log: other end of summer

Aug 29, 2013
Tonite …
-a swallow dipped and curved over the same half block, movements echoing the shape of the orange cloud tinged by the sunset.
– a tall dog waded ankle deep in an emptying ditch
– on the surface of the shallow water, bubbles rose in concentric circles. Chunky 5 inch crawdad swam, visible!
– tiniest skimmers – water striders?
– each steep muddy bank revealed rows of crawdad holes

A lot has happened in 3 and a half months here in the mid Rio Grande valley. Where we as a family are “perched,” less than a mile from the east shore, we are first to see the river and ditch water coming into the 15-20 miles that is Albuquerque when we take our walks.

June saw river levels stretch from shore to shore. On walks past-sunset approaching darkness, I saw my first muskrat swimming faster than my walking, skinny tail, husky body, nose and eyes above water.
Another nite a coyote stopped and stared at us 200 feet away and my dog wanted to join him.
Then, there was the dusk when another nose and eyes swam from shore out into the river, and then slapped the water with its tail – first beaver seen in the wild for me.
In that same month of June, a Kingfisher was on a wire above the ditch, another first.

It was right after the beaver sighting that the months-promised shut-off of the river happened. July 1 was the promised date for not supplementing the flow to the river, in turn to the ditch system. Out of Cochiti Dam, no extra water would be released. I walked most days that first week, to observe how low the river and the ditches got and all the changes. Of course the actual Rio Grande State Park land along the Rio was officially closed – restricting access as in so many recent years due to the extreme dryness of the riverside forest, so I was breaking the law by going over there.

I, like many people living in New Mexico, carried in the beginning of the summer a burden of dread because of the dryness. I had many plants in my yard die or struggle or not come back (see previous post). Much of my professional life was engaged with this reality – I work with a team of families doing The Learning Garden, was preparing for drought murals in the Art Adventures Camp and getting ready to teach Nature Detectives Camp for K-2nd graders. I was reading colleagues’ writings detailing water politics and speculating outcomes. I was obsessed with the thought of extreme water-rationing. Reports abounded of wild animals traveling to the river corridor – at lease once a week a story of bears in neighborhoods.

Our 8th meeting of the Learning Garden first week of July had us planting our first plants there – a flat of Maximillian Sunflowers – after laying down soaker hoses. We heaped on 2 bales of straw for mulch. The next day the city had its first rain shower in 7 months that actually made puddles. At the end of July gleeful meteorologists were reporting a record-breaking rainfall for July of 2.7 inches.

Trips to the river (the forest and bosque travel bans lifted) provided a changed stream bed almost every visit. At one visit, red mud lined the bar and bank – we collected the top inch of clay – and predicted it was from the Jemez. After bigger rains, there was evidence of river level rising 2 feet.

We had experienced a miracle. Our monsoon season came early and stayed with us and the plants and soil and 2 and 4 leggeds sensed relief.

Now, at the end of August, we are back to the dry cycle, with more weeds since the wet summer of 2006. And the water levels, as reported in first paragraph, are the lowest yet.

new cactus frond growth in mid July, showing fleshy spines

new cactus frond growth in mid July, showing fleshy spines

16
May
13

mid-may log: glowing granite, gnat swarm, swift ditch water

Sun straight in my face as I set out to our ditch this eve with Mag the dog. On the asphalt, many grey inch-long grasshoppers jumped away from my steps. Mid-May and they are that big, I noted. Approaching the ditch, could see the high water from 20 feet back, and Mag entered to wade on the edge.

Soft dirt of the ditch road is deep. Duck tracks are all around. Our Precambrian uplift towards the east – the Sandia Mountains – start to glow red – the sun has set. The gnats above my head are moving with me. My dog chooses the way over to the bigger Clear Ditch and I follow her. After her I step over the fence and onto the trail where I know animals are starting to move in the cover of dusk. I urge Mag to stay with me as she nuzzles the burrows. The gnats in their hundreds are still above me.

Sounds like children, but it’s geese honking, taking off from the flooded field. We pad over the wooden bridge, and I follow Mag down the bank. I fear the water is too deep for her – but the edge was shallow. It’s too dark to continue over to the river, so we head back. Happy to see a few bats dipping above my path.

The light is brightest in the southwest – the call of that wild territory. Through the trees on the western horizon the three planets shine. We in the valley are blessed with spring run-off.

light to the southwest

light to the southwest




clay & log posts

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